Rishab Shetty starrer Kantara remained in the news for a long time as everyone couldn’t stop raving about the film. It did not just do wonders at the box office down South, the Hindi dubbed version of the film also made records and how! Kantara is now among the highest-grosser films of this year. Many celebrities too praised the film. From Rajinikanth to Kamal Haasan and SS Rajamouli – stars couldn’t stop praising Kantara. Hrithik Roshan also said that he got goosebumps watching the film. Now it is Freddy star Kartik Aaryan who has also appreciated Kantara.

Kartik Aaryan’s take on Kantara

Kartik Aaryan has been experimenting a lot with the kind of characters he has been choosing lately. From Dhamaka to Freddy, he has taken up unconventional roles. He stated that he would love to do films like Kantara that are grounded in nature. He stated that he is desi at heart and would love to pick up subjects that connect him to the roots. The actor was quoted saying, “Mujhe raise film dekhne me bhi mazaa aata hai aur karne ka bhi shauq hai. (I love watching such films and would love to do such films as well). Kuch headlines dekhta hoon, ke the era of Kartik Aaryan has begun, I get happy with my success and I hope good film chalti rahe and I keep on getting good films.”

Source: Bollywood Life

Actor Nawazuddin Siddiqui is calling out the stars of the industry who charge a whopping Rs. 100 crores per film and end up harming the project. The actor said that money has always chased good ideas.

During an interview with E-Times, when asked to choose between cinema and big-budget movies, the actor said, “It is a historic fact that money has always chased good ideas and passion. I could have a trillion dollars but if I don’t have the ability to think of one decent idea, it’s almost a certainty that my trillion dollars will get reduced into pocket change. From the film industry perspective, if a person has a remarkable script, producers will run behind that person with endless money to get that script. We should give more credence to a capable brain and a person who can come up with good ideas.”

When asked if he feels it isn’t the actor’s job to think about box-office collections, he said, “Looking at box-office numbers is the responsibility of the producer. An actor should not be bothered about ticket sales. I see it as a corruption of the craft. Why should an actor be talking about box office? The stars who charged Rs. 100 crores per film are the ones who have ended up harming the films. A small budget or a modest-budget film doesn’t fail. Everytime a film’s budget is beyond the limits of viability, it will be a flop. Actors, directors, and storytellers don’t flop. It’s the film’s budget that makes it a hit or flop.”

On the work front, Nawazuddin Siddiqui will next play the role of a transgender woman in Haddi.

Source: Bollywood Hungama

Bollywood actress Deepika Padukone has been the face of several luxury brands. The actress has now been roped in as the new brand ambassador of Pottery Barn. As a new member, the actress will help promote the company’s international expansion during this global partnership. Deepika Padukone will also closely work with the team to co-create a collection.

On Instagram, the brand wrote, “We are thrilled to name global luminary and international icon @DeepikaPadukone as the brand ambassador for Pottery Barn. The actor, entrepreneur and philanthropist, will work closely with our in-house design team in San Francisco to co-create a capsule collection that will launch in Fall 2023, celebrating timeless design and quality craftsmanship.”

Ram Gopal Varma kowtows to Ashu Reddy to his remarks on Sridevi; multiple times chief communicated love for ladies. Ram Gopal Varma is perhaps of the most disputable figure in the film business. He is known for doing ludicrous things and expressing his genuine thoughts and heart out on everything under the sun occurring inside and outside the business. The chief is right now moving on the web for his most recent demonstration of kissing previous Bigg Manager candidate and entertainer Ashu Reddy’s feet. Indeed, and as we probably are aware this isn’t whenever RGV first has shown he is an admirer of ladies.

https://www.instagram.com/reel/Cl5ZAqSJFaz/?utm_source=ig_embed&ig_rid=386e5e5e-2b18-4dae-965d-bc82f877eccb

From kowtowing to Ashu Reddy, hot hitting the dance floor with Inaya Sulthana to his frenzy towards Sridevi, the following are a couple of times Ram Gopal Varma made debates.

RGV grovels to Ashu Reddy
Ram Gopal Varma as of late was evaluated by Ashu Reddy for his impending film Perilous, in view of homosexuality. In any case, what grabbed the eye was the chief sitting on the floor and touching and groveling to Ashu Reddy as she sat on the couch. This is as of now moving on the web and Netizens are savaging the chief.

The chief referenced that he is perched on the floor to remind everybody how ladies ought to be dealt with and the video shows the chief kissed the feet of Ashu Reddy as well as sucked her toes with her consent.
RGV and Inaya Sulthana’s personal dance.

Ram Gopal Varma and Inaya Sulthana snatched eyeballs with their personal dance at his birthday celebration in August. The Veerappan chief has shared an erotic video of him hitting the dance floor with Inaya Sultana on the melody Rangeela. Nonetheless, later he kidded that it was not him in the video. Alongside Inaya, Ashu Reddy was likewise present at his birthday celebration and the pics turned into a web sensation.

Chief plays with Apsara Rani
Slam Gopal Varma doesn’t avoid playing with young ladies. RGV’s Risky star Apsra Rani shared a pic of herself in a red swimsuit and he contrasted her with a precious stone. She subtitled her pic, “Youthful Wild and Free.” Ramu answered to her post and said, “Youthful, wild and not free yet as important as a precious stone.

Some other time Apsra Rani imparted her image to Marlyn Monroe’s statement about polite young ladies and he responded and said ‘respectful young ladies wear him out’.

RGV’s most memorable love
Slam Gopal Varma, who is known as a questionable figure has made a major disclosure about his most memorable love. The producer took to Twitter and shared a couple photographs of the woman named Satya Polavarapu and tended to her as his most memorable love. He likewise uncovered his film Satya and Sridevi’s name in Kshana Kshanam have been named after his most memorable love.

Ram Gopal Varma’s adoration for Sridevi, remarks on thighs
Everybody is very much aware of RGV’s fixation on Sridevi. On many events, he communicated his adoration for herself and frequently called himself the entertainer’s most diehard follower. He even admitted I love you to Sridevi in a letter after her downfall.

Be that as it may, once, he communicated his friendship towards Sridevi and said, “I regard Srideviji for her thighs, her grin, her acting ability, her responsiveness, her persona or more all I regard her for her adoration for Boney.” Purportedly, this prompted a gigantic word battle between the chief and late spouse Boney Kapoor.

Any movie producer needs to stream his film on a worldwide OTT stage like Netflix due to its arrive at in outside nations. Quite possibly’s the global crowd could get the film, and it could acquire appreciation from everywhere the world, as occurred with RRR. Presently, Kannada’s greatest blockbuster, Kantara, is intending to extend its span all around the world with its delivery on Netflix. The creators of the film are attempting to introduce it in the class of the most adored OTT discharges like The Squid Game and Cash Heist, which came from South Korea and Spain and proceeded to become worldwide victories.

In any case, the greatest mix-up Netflix is making is that it will be streaming the film in English. Beforehand likewise, the streaming stage got a great deal of fire from the crowd for the bizarre and ridiculous naming of RRR in English. Individuals are currently adjusted to observing any film in its unique language with English captions nowadays. The English naming of a crude and rural film like Kantara will just destroy the experience of watching the film for the crowd. The Kannada and Telugu adaptation of Kantara is real time on Prime Video.

Bobby Deol and nephew Karan Deol have shared a joint post about how veteran entertainer Dharmendra commended his 87th birthday celebration with a puja at home. The image shows Dharmendra in shirt and pants, sitting before the heavenly fire with a wreath around his neck. He is seen clasping hands with Bobby and Karan sitting on each side.

Sharing the image on their individual Instagram handles, Bobby and Karan expressed, “So honored to be your child and grandson. Blissful Birthday Bade father @aapkadharam.”

Entertainer Vatsal Sheth likewise wished him “Most joyful birthday” in the remarks segment. Entertainer Chandan Roy Sanyal likewise expressed, “Janamdin mubarak to the legend.” Considering him a hero, Rajniesh Duggall said, “Cheerful blissful birthday to the legend/the OG superhuman.” A fan stated, “We as a whole are honored to have Dharam Sir thus pleased with his accomplishments and commitments to our industry.” One more wished him saying, “Blissful Birthday Dharam ji, wish you numerous blissful returns of the day. Keep up the happy grin generally.”

Hema Malini likewise imparted two pictures to Dharmendra on Twitter and stated, “Appealing to God for dear Dharam ji’s great wellbeing on his birthday today. Wish him a long and solid life filled consistently with satisfaction and delight! My requests will accompany him today and the entire lives. Blissful birthday to my first love.”

Kamaal R Khan is back with one more dig at Bollywood. As the year wraps up, he is by all accounts doing his estimation on motion pictures and fame. KRK wound up pronouncing Kartik Aaryan, Akshay Kumar and Ajay Devgn as top 3 stars of 2022. In any case, what comes as a stunner is his consideration of RRR and Brahmastra in the rundown of Top 5 debacles. Look beneath for every one of the subtleties.

In any case, RRR has had a colossal run in the cinematic world. The film has not quite recently limited toward the South locales or Skillet india however has left its imprint the whole way across the globe. To such an extent that many actually guarantee it is the well-suited decision to be designated for Oscars 2023. In the cinematic world, SS Rajamouli executive accumulated the hit label gathering 277 crores in the Hindi rendition and 1164 crores (counting 20 crores from Japan) around the world.

Then again, Brahmastra is among those couple of Hindi motion pictures that gave a colossal beam of desire to Bollywood in the midst of the blacklist patterns. Featuring Alia Bhatt and Ranbir Kapoor in lead, the film ended up being a typical issue in the Hindi belt with 244 crores yet that was significantly a direct result of its tremendous financial plan which turned out a test to be recuperated. As far as all dialects, assortments were 427.88 crores gross.

How a fumbling introvert falls in love with an unsuitable girl, and the things that happen thereafter: this one-line premise, which must have been how millions of movies take birth, is fleshed out with a very Mumbai-Parsi detailing in ‘Freddy’. Dental surgeon Freddy Ginwala (Kartik Aaryan) takes one look at the lovely Kainaaz Irani (Alaya F), and is smitten. But the lady is not his to conquer. What happens next takes up two hours of screen time, filled with ambitious women, foolish men, wisdom teeth that belong to the not-very-wise, and dollops of nasty twists.

Offering a “all out conciliatory sentiment” if his comments on “The Kashmir Records” had been confounded, Israeli producer Nadav Lapid has said his point was not to affront the Kashmiri Pandit people group or the individuals who had endured.

Lapid, who was the worldwide jury seat at the new Global Film Celebration of India (IFFI) and mixed gigantic discussion by naming the Vivek Agnihotri film “profane” and a “misleading publicity”, repeated that he just censured the film for its “series of true to life controls”.

“I would have rather not offended anybody. My point was never to affront individuals or their family members, who have endured. I absolutely apologize assuming that is the way they deciphered it,” Lapid, who has left the country since his comments at the end service of the 53rd release of the celebration in Goa this week, told news channel CNN-News18 on Wednesday night.

“And yet, anything I said and I said obviously that for myself as well as my kindred jury individuals, it was and a disgusting misleading publicity film didn’t have a spot and was unseemly for a particularly renowned cutthroat segment. I can rehash it and once more,” he added.

“The Kashmir Documents”, composed and coordinated by Vivek Agnihotri, fixates on the departure of Kashmiri Pandits during aggressiveness in the mid 1990s. It was screened at the celebration on November 22 under the Indian Scene segment.

The acclaimed chief, known for his mutinous position, said his comments were neither a proclamation on the political circumstance in Kashmir nor a disavowal of the misfortune.

“I have gigantic regard for the misfortune, casualties, survivors and for whoever endures there. It (my comments) was not the least bit about this. I’ll rehash these words multiple times in the event that I need to say that I was not discussing the policy centered issue, authentic condition, or slighting the misfortune that occurred in Kashmir,” he said.

“I was discussing the film and that such serious points merit, as I would see it, a serious film,” he added.

Lapid additionally excused claims made by IFFI worldwide jury part Sudipto Sen, who had said the remarks on Agnihotri’s executive were the Israeli chief’s “conviction”.

“It was anything but a conviction by any means,” Lapid countered.

“We as a whole believed that the film utilized a progression of control, obscene, savagery since it should send a message that can cause aggression, brutality and disdain in the climate,” he added.

A day after the debate ejected, Agnihotri said he would stop filmmaking if savvy people, including Lapid, had the option to demonstrate that occasions portrayed in his film were bogus.

Requested to remark on Agnihotri’s proclamation, the movie producer said it was a characteristic response from the “The Kashmir Records” director.

“The fact that the chief is irate makes me certain. I would be angry as well if somebody could discuss my film the same way. My movies are frequently viewed as extremely questionable and questioning. Certain individuals have said a few extremely unforgiving and horrendous things about my motion pictures.

“The producer knows very well that the inquiry isn’t what precisely were current realities. Not a single one of us (in the jury), particularly myself, at any point questioned current realities. I have no limit, the apparatuses to get out whatever occurred in Kashmir,” Lapid, who lives generally in France, said.

Lapid went under assault by “The Kashmir Documents” group yet additionally a few BJP pioneers and Israel’s Diplomat to India Naor Gilon as well as its Delegate General to Midwest India Kobbi Shoshani.

“In spite of the fact that he (Israeli minister) was totally mindful of the way that I was discussing the film as promulgation, he faulted me for discussing the misfortune in Kashmir which is all out babble. He knows about it yet he is a controller. He realized I was passing judgment on the film as a movie producer,” he told the station.

Lapid said thanks to IFFI for welcoming him to be the top of the global jury.

Authentic spy dramas can never disappoint, be it Raazi or Mukhbir, but what makes them stand out is not just the action and gripping stories of spies but also how well they address the vulnerability of such chosen humans who may come back home in a rare occurrence but their souls may never recover. Inspired by true events, Mukhbir is one such story from the directors of Naam Shabana and Special Ops which can hardly go wrong with the concept. Set in the backdrop of the 1965 India-China war, the show tells the tale of one such spy who took the one-way road to Pakistan to make a contribution in winning the war without fighting. Safe to say, Mukhbir reminds of Raazi at crucial junctures but stands out with its story telling technique, the charm it creates of the 60s and the performances from its lead actors, especially Zain Khan Durrani.

A Kashmiri lad himself, Zain plays a Kashmiri orphan who goes around duping people around Delhi for a living. As Prakash Raj’s surveillance agency director sends him for a mission, he goes on to hit and try around various targets in order to get something concrete that can help in averting a war. Despite the weight of the responsibility, Zain doesn’t get bogged down in spirit. Just a few-projects old, Zain shines through with not just his good looks that come handy in wooing women like a photographer (Zoya Afroz) and a ghazal singer (Barkha Bisht), but in also expressing the vulnerability that resides behind his confident smile. Zain makes sure to not go overboard with any of the emotions to carve an endearing and real figure of Haasan who is carefully fitted into a Pakistani family with a missing member.